I thought I was reviewing a bar. But here I am, standing at a hotel’s front desk, where a wooden rack neatly lined with burgundy tasseled room keys commands all eyes. The concierge hands over a form. “The house receives its guests by invitation alone,” reads the first line. I’m asked to consent to this—and seven other clauses. Check!
I’m handed a key to Room No. 102 and left to navigate the rest. A long passage inside the 6,000-square-yard Devraj Niwas, with Jaipur’s premier party place Forresta on one side and the banging brewery Downtown on the other, leads us to the said room. It doesn’t feel like a bar. If anything, there’s a couple of sepia-tinged attachés, the kind your grandpa took to work, topped with a taupe hat, a brown checkered muffler, and a wooden walking stick. Like an elaborate film set, on one end I can see a rotary telephone, placed alongside a big-man chair laden with a scarlet throw.
Still unsure of the bar, I fidget with my keycard. “Mirror mirror on the wall, the real fun is behind the wall,” it reads. I knock on the mirror, and a suited man receives me and my drinking partner on the other side. We’re instructed to claim a corner and pose. The key is taken away, and we’re escorted inside what looks like a sultry jazz room drenched in tawny hues and relics of the past.
We have possibly time travelled to the ’50s. ‘Jaata Kaha Hai Deewane’ is playing. My foot is instinctively tapping. The 70-seater space is decked with velvet seating, dark varnished tables, engraved candlestick stands, photo frames, old-world portraits, and golden globes. I constantly keep checking myself out in the blocks of copper mirror embedded into the wooden ceiling. Framing the room around me are Victorian chandeliers with prisms dripping like diamonds. I’m half expecting Helen to waltz in and burst into cabaret any moment now.












